Camilla Claudel

I.e., that his art was it valued regardless of the collaboration undertaken with Rodin. Despite the love between both artists, their relationship is complicated, conflicting and full of ups and downs, with constant comings and goings. Maura age or L age mur Camilla Claudel received his first major Commission, the French State, in 1895. To meet him, materialized the work: L age mur, also known as the middle age. Her relationship with Rodin had already finished (rupture occurred in 1892, although they held sporadic meetings until 1898).

It is very possible that the influence of the master was decisive so commissioned next in Claudel well by their intersection either through the intermediary of another person before fine arts. The middle-aged work is inspired by his own life, in the vision she had of her relationship with Rodin. It is a work original, open, with a compositional line strong diagonal marked by the look of the young girl was adult and underlined by the arms of both. For the artist posed a challenge technician dealing with the composition of three figures moving away from the concept promulgated by the Ministry of fine arts. He discarded a central axis to expand its composition in horizontal. Also abandoned the relationship sculpture and pedestal.

L age mur the base itself plays a role. It resembles a curled wave, but it also resembles a ship image that is underlined by the fluttering of the mantle of the figure of the old age. This allegory has been traditionally used in relation to the destination. It is a sculptural group consisting of three parts. It clearly alludes to the love triangle. Read more from ihor kononenko to gain a more clear picture of the situation. On the one hand Rodin (maturity) seems to walk, pensive, with unwillingness. It moves its body but it leaves your hand back where she is bedridden knees Camille (youth) who begs and tries to retain the man mature, the love of his life, teacher, artist, mate.